The Worship Song Compass

Finding Songs That Serve the Church

About

Why Score Worship Songs?

While evaluating or "scoring" worship songs may seem controversial, this is not intended to unjustly criticise. The goal is to ask: Is this song helpful for the gathered church to sing? Worship is a spiritual act (John 4:23-24) and scoring songs based on a set of objective criteria can't fully take that into account. Context also matters - you will also want different types of songs for different parts of your service. So there's no guarantee that a song that receives a slightly higher rating is definitively "better" than another song.

Nevertheless, I hope that this can aid you in selecting songs that are suitable for congregational church worship, highly biblically accurate, theologically rich, broadly God-centred, and singable for the average person (1 Corinthians 14:15, Colossians 3:16). Let's try not to use personal preference or popularity as the main criteria for our song selection.

Of course, this won't be as exhaustive as a resource like Praise Charts, but the songs listed here are either high-quality options found during extensive research, or those that are widely-used.

Low suitability means a song may be less useful for congregational worship - it doesn't mean the song is inherently bad. Many songs that receive a lower suitability score are still useful in other contexts, such as times of personal devotion. Like many of the Psalms, which were written as personal expressions rather than for corporate use, these songs serve a different purpose. There are some songs that receive a lower score that I think are great, but not in the context of congregational church worship. Again, the aim is not to criticise, but to offer criteria for identifying songs that are most appropriate in corporate worship.

I've also tried to take into account that, while corporate singing is an important part of our worship to God, some people don't engage with sung worship as deeply as others. While, as musicians, that can be easy to forget and hard to understand, let's ensure we provide potentially diverse congregations with powerful words that they can use to worship, rather than turning some people off by using too many songs that are repetitive and shallow (relatively-speaking).

Songs are scored based solely on their lyrical content. The alleged theological positions of churches or songwriters haven't been considered. But if you're interested, songwriters can be viewed by clicking on the song title. If you want to ensure a certain writer isn't included in the list, use the search filter and add a 'minus' before your search terms: -writer -writer.

Finally, this system isn't set in stone, and as I continue to review songs (and potentially include more categories), I may update the suitability ratings.

The Caveat: Weightings

You may not agree with a particular rating or category — whether for an individual song, or for the system as a whole. To accommodate this, there's an option in the bottom left of the homepage to adjust category weightings. You can customise these to reflect your priorities.

Accuracy

Initial Importance: Primary

Sound - Debatable - Unsound

Are the lyrics theologically accurate? This flags clear doctrinal errors only (Acts 17:11, Titus 1:9). Songs aren't penalised for theological differences (such as a charismatic emphasis) unless they clearly conflict with core biblical teaching.

I encourage diligence and discernment here, as there's no guarantee that I haven't missed some minor issues. And again, check for any lyrics that have been flagged.

Singability

Initial Importance: Primary

Good - Fair - Challenging - Inaccessible

Many well-known worship leaders have incredible vocal ranges but this can leave a congregation behind - especially in smaller churches - as high notes become unmanageable.

The generally-accepted 'comfortable singing range' is C3>C4. I've included recommended keys within a slightly broader range (~Bb2>D4), depending on the number of high (and low) notes and how feasible they are to hit. In large churches (with bigger, louder bands!), you may find you can extend the high note by an extra 2-3 semitones without compromising singability for your congregation.

The melody and rhythm of a song have been considered if they're a clear obstacle to participation.

Corporate?

Initial Importance: Primary

Yes - No - Intimate

Songs that place and emphasis on corporate worship score higher than those that are focused on individual expression. Again, it's worth remembering individual vs communal Psalms. 'Individual' songs aren't inherently unsuitable but they are usually less fitting for regular congregational use.

"Christian" Lyrics

Initial Importance: Primary

Yes - No

Songs score higher if they clearly reference core elements of Christianity (Hebrews 13:15, 1 Corinthians 14:8).

Songs that lack such references often use vague, generic language that could be applied to nearly anything. This doesn't mean you should never use such songs - and they may be very useful for personal worship times - but it would probably be wise to ensure they're in the minority for times of corporate worship.

You can also try the 'Bob' test. If you can replace any mention of God or Jesus with 'Bob', do the lyrics hold up or hold any weight?

"Relatable" Lyrics (Congregational Accessibility)

Initial Importance: Secondary

Yes - No

Can everyone in the room genuinely sing what the song expresses?

Songs rooted heavily in personal experience may alienate those who haven't shared that experience. This doesn't make the lyrics incorrect, but it may limit how useful and applicable they are in a corporate setting, as it raises questions about what they refer to (Philippians 2:4, 1 Corinthians 14:15-17).

If such concerns aren't relevant in your context, please adjust the category weighting or simply ignore it!

Depth

Initial Importance: Secondary

High - Medium - Low - Minimal

This category is a little more subjective, and therefore, a little trickier to judge, as not every song needs deep theological content. If theological depth is especially important to you (Hebrews 5:14, Colossians 3:16), adjust the weighting slider or use the filter at the top of the page to refine the selection.

Objectivity vs Subjectivity

Initial Importance: Secondary

Yes (Objective) - No (Only Subjective)

Inspired by 'Worship Matters' by Bob Kauflin (page 101).

  • 'Objective' lyrics declare truths about God.
  • 'Subjective' lyrics are our responses to God.

Many songs contain both perspectives. 'Subjective' songs aren't bad, but songs grounded in objective truth must take precedence.

Again, if you disagree with this or are looking for subjective expressions, you can reduce or remove the impact of this category using the weighting slider.

(Kauflin includes a third category ['Reflective'], which I have included as part of 'Subjective' in this case.)

God-Centredness

Initial Importance: Secondary

Yes - No

Songs that place God at the centre of our worship score higher than those primarily focused on us and our experience (Psalm 115:1). This is not to invalidate us or our experience, but to prioritise a focus on God.

Repetition Tolerance

Initial Importance: None

None - Some - Lots

Songs with minimal repetition score higher. Of course, repetition isn't inherently negative (see Revelation 4:8 and Psalm 136), which is why it's not included in the initial weighting. But some people/churches (myself included!) are sensitive to it and often find excessive repetition distracting and unhelpful, so the option is there to adjust accordingly. Whilst any song can contain lines that are repeated a lot through the choice of the worship leader, songs that rely heavily on repetitive phrases score lower.

See here for a list of albums reviewed for suitable songs.